The dominant theme of emily'stoybox artist

local punk band, feature film action/adventure, battle dress uniform, bulletinboard, hip, jason london, musician jokes, naming, music magazine, slavery, gear, michael chapman, randy quaid, picture tupac, gabe jeffrey, by francesca lia block, slanderous, cooper, girl power, harbingerjournal, igor, insult, artist, links, They were a series of unconnected items that contained little of social significance. They were chaotic, haphazard, and inartful....   Dissent in PEOPLE v. BRUCE emily'stoybox (Criminal Trial Court of the City of New York, Nov. 4, 1964) The following column, written by Judge J. Randall Creel, ran in the New York Bar Journal on November 24, 1964.  Creel's column is largely a statement of the views that led him to  dissent in People v Bruce.. By J. Randall Creel Judge of emily'stoybox the Criminal Court of the City of New York  Throughout the recent emily'stoybox Lenny Bruce trial a court of which I was a member heard much testimony from many sources in an effort to ascertain the "contemporary community standards" as to obscenity as indeed the directives of higher courts required (People v.
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The dominant theme of the performances appealed to the prurient interest and was patently offensive artist to the average person in the community, as judged by present day standards. The performances were lacking in "redeeming social importance." The monologues were not erotic. They were not lust-inciting, but, while they did artist not arouse sex, they insulted sex and debased it. [A discussion of the legal authorities, sustaining such debasement as pornography, followed here.] They [the monologues] were obscene, indecent, immoral, and impure. The monologues contained little or no literary or artistic merit. They artist were merely a device to enable Bruce to exploit the use of obscene language. They were devoid of any cohesiveness.
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