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| real audio rap, deathrow, makaveli script, drama, motherfucker, personal narrative non fiction, poems, rap music, riad galayini, branding, celebrities, by beth lapides, tom jarmusch, tyler sedustine, tupac unreleased mp3, mp3 tupac shakur, kevin dillon, literature, all eyez on me, jack straw., california, | It needs to be acknowledged by all that the roots of makeup and theatrics in hard rock signs can both be traced in some way to this period. Hell, even John Lydon loves Alice Cooper, and he doesn‘t like anyone--the vocalist actually performed “Eighteen“ when he auditioned for the Sex Pistols. By the early 70‘s when this film was made, Vincent Furnier signs had managed to create a persona so imaginative and compelling that even he had difficulty differentiating where signs he ended and Alice began--in another portion of the commentary he goes on to state that the clothes he wore onstage during this performance were what he was actually wearing on the street at the time. More than anything else, the DVD documents that period—warts and all--interestingly enough, it is at least partially because of these imperfections that makes this disc a time capsule that tells the story of the origination of the modern stage show. |
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| or their respective copyright holders. CLICK HERE for our privacy statement Welcome to the LOUDEST DOT COM ON THE PLANET! Alice Cooper - Good To See You Again By Jeff Kerby, Contributor Sunday, January 15, 2006 @ 6:27 AM Live 1973 Billion Dollar Babies Tour - advertisement - From Shout! Factory. “You california have to remember now, none of us are gay.” It’s ironic that Cooper makes this statement at the california beginning of the commentary portion of Good To See You Again, Alice Cooper, since for many, the work he produced with his original band is the only part of Vincent Furnier’s career that matters. This remains true for some although Alice’s latest record, Dirty Diamonds, is the best he’s recorded in ages. Besides the fact this version of the group possessed musicians with talent and skill who contributed greatly to the creation of the music Cooper produced during that era, Michael Bruce, Glen Buxton, Dennis Dunaway and Neal Smith also had the good fortune to have been a part of a revolutionary career that was as influential for the style and presentation that it introduced as it actually was for the music the band played. |
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