The performances and the wicca cole hauser
wylde, free us code, 2 pac, there goes the neighborhood, music cd production, landgrant review, adam goldberg, insult, marissa ribisi, holocaust denial, mos def, gang related, cole hauser, hip hop, marthawainwright, splash, r.d. reid, donal sutherland, literary salons, real audio, trademark, nate, george w. bush, neo nazi, Their friendship is central to the book, yet the film makes wicca a puzzle out of it. At the end, the film doesn't even tell us what has happened to him. See the film, wicca if you keep in mind that it asks us wicca to settle for a lot less than what Swofford originally wrote. This doesn't make it a bad movie, just a reminder of what the printed word can achieve in the hands of a fine writer. Oh, and read the book. Was this review helpful to you?  (Report this) 2 of 10 people found the following review helpful: I've seen better, March 17, 2006 Reviewer:Paula (Connecticut) - See all my reviewsThis movie left me with a lot to be desired. No I wasn't looking for a lot of action and if that's what you're looking for, look for another movie. I didn't care for the storyline, I didn't think there was much of anything there. I didn't care for the acting. And back to the storyline, I felt there was a lot that was missing. I'm delighted that I didn't waste my money at the theater!! I am proud of the troops that were there in Desert Storm, along with the troops before and after that, however I feel like this movie was capitalizing solely on what is going on in the middle east right now!
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The performances and the photography in the film go cole hauser a long way to cole hauser capturing the time and place of cole hauser Swofford's story and portraying the particular culture that is specific to the U.S. Marines. But overall, I found that it paled significantly by comparison with the book. The commentaries on this DVD and the many deleted scenes are a lesson in what happens when a book-length narrative gets squeezed like toothpaste into 90 minutes of linear movie storytelling. Interesting complexities get oversimplified, and film's literal immediacy minimizes more truthful ambiguities. What's missing in this film, for instance, is that Swofford's book is a 30-year-old's memory of himself as a 20-year-old. Those ten years make a big difference in the way he tells his story and what he chooses to tell us. He also interweaves many more threads and connects many more dots for readers. More mystifying is the wish of the filmmakers (as explained in the commentaries) to make the character of Swofford's friend Troy more ambiguous by withholding information about him.
eraser, publishing, elliott gould, maguzu
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