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| culture: society, online music, iraqeye, diversity, urban, portillo, tamra davis, fubar, tupac picture, black label society, bryan gordon, makaveli 2000, | Had this pace kept up, and the movie not degenerated into fun-filled gore and insanely grotesque comedy video monsters, we may have seen the first “Best Director” nod for Carpenter. But this erosion comedy video of mystery and a trek into the nasty depths of a horror film are what make it a true cult classic, and not a rival comedy video to “The Exorcist”. Soon, John Trent's life and entire world begins to intricately resemble Cane's novels. The sweet old lady who runs his motel is actually a hideous, sadistic monster in disguise. The children are being kidnapped and turned into blood-thirsty maniacs. And Trent's belief that he knows reality when he sees it starts to fall apart. Are his memories, indeed his entire life, nothing but a novel? Or is the novel itself taking over reality, driving the world into the deepest, most depraved forms of madness unknown to the likes of man? Carpenter leaves this open for debate until the last three minutes of the movie. Even when the movie turns into a standard blood-and-gore hack-'em-up, it is still perfectly realized. |
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| Private investigator John Trent (played flawlessly by Aussie Sam Neill) tells his tale from the padded walls of an asylum. He starts at black label society a point where has just wrapped up an insurance case black label society and is hired by Charleston Heston to find a missing author. The writer, Sutter Cane, is the newest horror phenomenon, relying on classic pulp-horror plots but writing with a style and flair to really suck the reader in. He has gained a huge following and the crowds are beginning to go mad, waiting for his next novel to black label society debut. Riots are breaking out and readers are turning violent. Trent hesitatingly takes the case, agreeing to track down the author and bring his latest manuscript, In the Mouth of Madness, back to publishers so they can get it on the book stands as soon as possible. The trail leads him to the New England town of Hobb's End, a supposedly fictional town from Cane's work which turns out to be real. Carpenter's directing during the mysterious first half of the movie is undoubtedly some of his finest work, and possibly the best directing ever done in a horror film. |
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