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| culture: society, online music, iraqeye, diversity, urban, portillo, tamra davis, fubar, tupac picture, black label society, bryan gordon, makaveli 2000, | John Carpenter took the ideas of Lovecraft's Cthulhu mythos and worked in contemporary some of the philosophy contemporary of René Descartes and David Hume. The idea (used to great appeal in the Matrix series) being a question of whether we are actually perceiving reality for what it is, or are we under the control of an “evil demon”? Basically, what if there is no all-loving God in charge of the world, and instead we are all being tricked and blinded by an evil demon? Something that won't let us see reality for contemporary what it truly is, gives us only an illusion of free will and has us constantly working towards its own goals instead of our own? The film begins like a mystery story. |
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| Reading both authors, the similarities are obvious; the tupac picture lead character/narrator is usually a person of strong educational upbringing, speaking with a polished tongue and describing events that they themselves have trouble believing. tupac picture But Lovecraft became the leading force into the modern horror tale, and his influences can be seen in the works of Stephen King, Dean Koontz and a myriad others. If one takes the time to read some of H.P's work, it may not seem original, but this is because the ideas have been plagiarized and re-worked to death by Hollywood and pulp tupac picture writers alike. |
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