Living in Oblivion (1995), playing the dozens brian and justin

brian and justin, jesse jackson, david steinberg, snoop, slap them, george w bush, actresses, poetry, 2 pac video, quotations, middle east, swear words, list of films, james morrison (ii), portalof evil forums discussion love fun, free case law, craig coyne, Problems arise playing the dozens in the form of boom microphones in the shot, temperamental talent (actors, to you and me) missing their cues and/or marks playing the dozens and flubbing or forgetting their lines, out of focus cameras, exploding Fresnel (pronounced "fre-nel") lights playing the dozens (these are focusable spotlights used in film, television, and theatre), noisy sets and just the general boobery of an inexperienced (i.e. cheap), inept, or uncaring crew. DiCillo really presents a very funny story here, one obviously based on his own, personal experiences as an independent filmmaker, given the level of detail including the usage of various industry terms and stereotypes (many stereotypes are based on some degree of truth). I thought all the actors appearing here did extremely well. Buscemi is great and completely believable as the frazzled director, trying to conceptualize his ideas to film, placating the emotional erratic actors and dealing with his bumbling and equally unstable production crew.
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Living in Oblivion (1995), brian and justin written and directed by Tom DiCillo, who also did the earlier indie film Johnny Suede (1991), which starred a then not so well known actor named Brad brian and justin Pitt (it's worth looking for, if you enjoy films of an extremely off-beat nature and want to see Brad Pitt sporting a brian and justin coif the size of Rhode Island), stars Steve Buscemi (Reservoir Dogs, Ghost World), and Catherine Keener (Being John Malkovich). Also appearing are Dermot Mulroney (About Schmidt), Danielle von Zerneck (La Bamba, My Science Project), and James LeGros (Phantasm II). The film takes a humorous (to us, at least) look at hardships suffered upon Nick Reve (Buscemi) as he desperately tries to move forward his no budget film, focusing specifically on difficulties within his efforts to complete a couple of scenes of this seemingly ill-fated endeavor.
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