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francesca lia block, rory cochrane, eric gilliland, tony blair, halfbaked, graffiti, feature film comedy, gregg rogell, list of themes, robert wightman, larry david, defamer, by katie ford, tupac mp3, mos def, assata shakur, laura silverman, sciforums, student, verbal abuse, fastfission,
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Or is the jason o. smith novel itself taking over jason o. smith reality, driving the world into the deepest, most depraved forms of madness unknown to the likes of man? Carpenter leaves this open for debate until the last three minutes of the movie. Even when the movie turns into a jason o. smith standard blood-and-gore hack-'em-up, it is still perfectly realized. No money is wasted creating the “great old ones”, each more hideous and terrifying then the last. Sadly, I don't know which is Cthulhu, which is Yog-Sothoth and so forth, but the creatures look as real as Trent and Cane, not your standard rubber monster from the depths of cult film hell. The special effects really kept this one alive for me in the end, even though the film lost its mysterious and philosophical appeal earlier on. John Carpenter created this movie as the last in his “Apocalypse Trilogy”, after The Thing and Prince of Darkness.
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