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| The trials and tribulations satire of independent filmmaking are not foreign material for writer-director DiCillo, who cut his teeth as Jim Jarmusch's cinematographer satire on 1985's Stranger Than Paradise before going on to direct his own work, such as the offbeat 1992 comedy Johnny Suede. Like that film, Living in Oblivion rides a precariously thin line between the real and the surreal, featuring a midget actor and an exploding smoke-effects machine, as well as a ridiculously narcissistic Brad Pittesque character played by James Le Gros. While films like Get Shorty, François Truffaut's Day for Night, and Jean-Luc Godard's Contempt suggest that satire moviemaking is hip and glamorous, Living in Oblivion will have none of that. The film within the film feels like a director's primer on what not to do, and this modest-budget gem both lovingly and caustically strips the "cool" veneer from the filmmaking process. They should show this one to kids thinking of entering film school. It might make them think better of it. |
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