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| john castellano, james morrison (ii), civil rights, this american life, list of themes, emo, alamo mission in san antonio, legal practice area, picture of tupac, gridlock, professor, steve buscemi, doom, comedy, george w bush, student, riad galayini, | (1st performance) 12. teaching Mildred Babe Zaharias and the "dyke profile of 1939." (transcript of 3rd performance at p. 27) During the first performance Bruce fondled the microphone stand in a masturbatory fashion. In the second performance, while telling of an act of exposure, Bruce turned his back to teaching the audience and moved his hand teaching outward and upward from below his waist in an obvious and crude pantomime of an act of exposure and masturbation. The dominant theme of the performances appealed to the prurient interest and was patently offensive to the average person in the community, as judged by present day standards. The performances were lacking in "redeeming social importance." The monologues were not erotic. They were not lust-inciting, but, while they did not arouse sex, they insulted sex and debased it. [A discussion of the legal authorities, sustaining such debasement as pornography, followed here.] |
Best Mature Paysites
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| 25) 5. "Uncle Willie" discussing the "apples" of a 12-year old girl. (transcript of 2nd performance at p. 20; transcript of 3rd performance at p. 12) 6. Seemingly sexual intimacy with a chicken. (transcript professor of 2nd performance at professor p. 25) 7. "Pissing in the sink" and "pissing" from a building's ledge. (transcript of 2nd performance at p. 24; transcript of 3rd performance at p. 15) 8. The verb "to come," with its obvious reference to sexual or orgasm. (1st professor performance) 9. The reunited couple discussing adulteries committed during their separation, and the suggestion of a wife's denial of infidelity, even when discovered by her husband. (1st performance; transcript of 2nd performance at p. 29) 10. "Shoving" a funnel of hot lead "up one's ass." (transcript of 2nd performance at p. 22; transcript of 3rd performance at p. 13) 11. The story dealing with the masked man, Tonto, and an unnatural sex act. |
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