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| models over 50 , mother has sex with son , wedding favors, careers for people over 50 , older personals , picutres of hairstyles, hot milf videos , older woman fucking , older women anal sex , over 50 communities , tutorial, nw1, | On record, without that three-ring milf mature movie circus, the band's physical exclamation milf mature movie points still thrust through. Devoid of visual pulse, the album still shakes the floor with deafening thump, still ripples pants with air-flexing noise. As this is the trio's Sub Pop debut after over 50 mostly self-released offerings, actual songs emerge: "Stabbed in the Face" lurches through a hypnotic milf mature movie plod and an oscillating Young scream, like a Ramones tune slowed to stoner-time, while "Village Oblivia," the album's biggest fist pump, even has a verse (clunk-clunk-clunk) and a chorus (clank-clank-clank). But every track is a pure battle, with searing bursts of abrasion chopping at lava flows of insane density. As much of a pulsing, hairy mess as Burned Mind can be, it's also embalmed in an enticing numbness. Most of the band's chilly, robotic loops sag with the weight of inevitability, like an assembly-line conveyor belt whose off-switch expired long ago (it's no shock that one of Olson's side projects is called Dead Machines). |
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| Check the song titles on Burned Mind and Obedience Cuts: "Open Body," "Black Vomit," "Skull Mold," "Urine Burn." They're full of picutres of hairstyles the standard bodily references that have been around since gristle first throbbed decades ago, sure, but more interestingly, 12 of the picutres of hairstyles two albums' 18 cuts have adjective-noun titles. And the music rhymes with them: Crunch, blare. Squeak, moan. Adjective, noun. Lather, rinse, repeat. Michigan's Wolf Eyes picutres of hairstyles might be the current apex of binaural noise. Each track on Burned Mind is a layered variation on two basic sound-attacks: flurries mixed with jolts, streams sliced with rocks, massages spiked with punches. Live, the trio themselves are adjectives, jerking through seizured calisthenics that punctuate their massive wall of noun. Spazzing over vats of electronics like construction workers drilling holes with their minds, Nate Young, Aaron Dilloway, and the permanently sleeveless John Olson form a team of advanced gorillas, angry that the computer program they're writing has yet to yield a banana. |
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