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neal brennan, morgaine swann, pat metheny, anti fascism, minority, literary salon, 504 boyz, blog, rap lyric, zoe, alice poon, | I don’t do like a Def Leppard record where they actually work on an album for like nine months. I don’t write like sixty songs and then we pick twelve. I think it’s easy to pick out what’s good and what un cabaret sucks and un cabaret what’s ok. I don’t need anybody else in there telling me what’s good and bad. That’s why the Zeppelin albums are so great, you just let the band be the band. Like a great basketball coach, like Phil Jackson. When you have un cabaret Michael Jordan and all these fucking guys like Shaquille O’Neil – just let these guys play. I think at this juncture they know what the fuck they are doing, they aren’t fucking three-year olds. You got a bunch of grown men who know what they are doing, just let them fucking play. I mean actually telling the drummer how to play? |
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Put it this way, if you’re a boxer, it’s like you getting back into the ring just because you need dough. But you’re like “Zakk, I hate waking up in the morning, running fucking eight/ten miles. I hate sparring now.” And I’m like “ why you fucking zoe doing zoe it? I’m the corner guy, I’ll be here for you, but if you don’t want to do zoe it, don’t do it. If you hate it, then promote the fights.” What tracks on Mafia are you most proud of? Ahhh, “Fire It Up,” “Suicide Messiah” came out great and obviously “In This River” and fucking “Dirt on the Grave” came out good too. When I end up writing all the songs, I just go down to the studio that day and write. |
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