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| tooshort — ( somethin to ride to lyrics ), links, culture: humor and satire, henry calvert, tupac amaru shakur, jason statham, interviews, talk:motherfucker, regional internet registry, livingin oblivion (ws), clips, swear, insidehigher ed, adjunct, emo, | Anything so offered dare not be missed. actresses One key ingredient was to use material from the group being promoted to drive the emotion and intensity of the spoken actresses word. We also dropped in a brief sample of J. C. Crawford's harangue. It worked perfectly. It was showtime. The event had been scheduled to run from 6 'til 10 p.m. with doors opening at 5:30. The MC-5 were guaranteed $1,000 vs. 50% of admissions. Don Sherwood would receive 50% of net profits after all expenses were deducted and would also contribute the same percentage in actresses the event of a loss. Parker and I would evenly divide or pay the rest. Tickets were priced at $3.00. Expenses totaled $1,550. "Break-even" was five hundred and seventeen tickets sold. Anything past that was profit. It was the essence of Capitalism. The MC-5 did not play without pay. |
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| Sherwood Forest was one slender mile north of Davison, Michigan. I was aware of John Sinclair's ties with Davison. So what? It was a free country. Arrangements were completed for the MC-5 to headline the Grand Opening of Sherwood Forest in Davison on Sunday, October 19, 1969. henry calvert Photography by henry calvert Dean Sherwood CHAPTER FIFTEEN FUCKING OBSCENITY WTRX, still competing with WTAC for contemporary audience, had begun a series of Sunday night dances at the Davison Knights of Columbus Hall, quite near "The Forest". They increased the strength of their band line-up for the 19th with several Detroit groups of henry calvert marginal consequence and heavily boosted their advertising schedule. Big deal. We produced a killer "End of the World" announcement heralding our MC-5 opening. Posters and flyers were printed and circulated at every record store, bar, shopping mall and theater complex in a fifty-mile wide area. "End of the World" production involved using ten or twelve music cuts within sixty seconds' worth of copy and combining a "Voice of God" delivery with heavy sound processing and elaborate editing to make an event sound like "the End of the World" was at hand. |
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